Reminiscent of Stuart MacBride’s Misfit Mob: A Review of The Sleepwalker (by Joseph Knox)

I saw Joseph Knox’s The Sleepwalker in my Goodreads feed, and saw that it was available to read and review on NetGalley. So naturally, I had to get myself a copy (because of my obvious and possibly unhealthy love for the mystery/thriller genre). Three days later, I’m done with the book and can’t help but feel how similar the experience of reading it was to reading A Dark So Deadly by Stuart McBride (review here), which introduced readers to the Misfit Mob.

Here’s why The Sleepwalker was even better than A Dark So Deadly.

The Sleepwalker Joseph Knox
Source: Goodreads

Genre:

Thriller, Mystery

Length: 

328 pages

Blurb:

Martin Wick was sentenced to death for the slaughter of an entire family. But Wick had no memory of the crime, earning him the nickname ‘The Sleepwalker’. Ten years later, Wick is dying in a hospital, under police watch. Detective Aidan Waits is part of the police protection detail that has only one job – watch Wick and try to find out the location of Wick’s last victim. But then, an attack leaves Wick and another policeman dead, and another gravely injured. And with his dying breath, Wick tells Waits something that sends him down a dangerous path where demons from his past, the search for the truth, and the threats of his present come crashing together. Will this be the end for Waits’ career and life? Will Waits fight the dangers that will pull him deeper into the storm from which there’s no return? Or will he embrace that darkness and the release it will bring?

Overall Rating:

8 out of 10

Plot:

7 out of 10

Characterization:

8 out of 10

Primary Element:

7 out of 10 for its mystery

Writing Style:

8 out of 10

Part of a Series: 

Yes, this is Book 3 of the Aidan Waits series. Book 1 – Sirens – has actually been on my list for a while. While I didn’t want to give up on the chance to read The Sleepwalker, I definitely felt like I should’ve started from Book 1. If you’re picking Joseph Knox as a new author to follow, start at the beginning – at Sirens.

Highlighted Takeaway:

Aidan Waits’ sour persona. It may have rubbed the other characters wrong, but I absolutely loved the way he was.

What I Liked:

Joseph Knox builds an intricately woven plot on the foundation of great characterization. The Sleepwalker reads really well, moves fast, and is also wonderfully human in its characters’ strengths and weaknesses.

What I Didn’t Like:

If I had to pick something, it would be the fact that the book wouldn’t have been complete without reference to its prequels. But, that very reference is what has now left me knowing more than what I would’ve liked to know about those very prequels. So if you pick this book up as a standalone read, you will enjoy it. But if you want to read the whole series, start with Sirens instead for a more complete experience.

Who Should Read It:

Anyone who loves books set in the United Kingdom, especially if you like the works of Stuart MacBride.

Who Should Avoid:

Anyone who does not like books where the main protagonists are a little too dark; where they’re not anti-heroes, they’re just confused individuals trying to make the best of a situation and survive until they can be bothered to.

Read It For:

Aidan Waits’ struggle against himself and the hand he’s been dealt, as he tries to determine whether the effort is worth it at all.

A big thank you to NetGalley, Joseph Knox, and Transworld Publishers for an ARC of this book. The Sleepwalker comes out on 11 July 2019. Make sure to grab a copy if you love thrillers.

– Rishika

Enjoyable and Intriguing: Review of The Woman In Our House by Andrew Hart

After I read Tell Me A Secret (review here), I’d more or less sworn off of books that tried to imitate the niche genre highlighted by Gillian Flynn. Which is why I picked up The Woman In Our House with some reservations. The blurb was intriguing, but would the book focus more on the thrill factor as I’d hoped or go down the rabbit hole of a main female character’s self-pity was something to be seen.

Thankfully, it met expectations. And made for a captivating read. Before I go ahead, I’m sending NetGalley a big thanks for an ARC of this book! The Woman In Our House comes out on 18 June 2019.

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Source: Goodreads

Genre: Suspense, Psychological thriller

Length: 347 pages

Blurb:

Anna Klein and her husband decide to hire a live-in nanny when she decides to return to work as a literary agent after her second child turns a little over 6 months old. Oaklynn Durst arrives after numerous interviews and with stellar references. The children take to her immediately, leaving Anna feeling a little unwanted even as she remains thankful for Oaklynn and being able to go back to work. But when the children begin suffering from sudden illnesses and bruises, Anna begins to worry that Oaklynn may not be what she seems. But are her own insecurities driving her suspicion, or did she really put her children and even herself and her house under the care of a lying, scheming woman who wouldn’t hesitate to hurt any of them?

Overall Rating: 7 out of 10

Plot: 8 out of 10

Characterization: 8 out of 10

Primary Element: 7 out of 10 for its thrill and suspense

Writing Style: 8 out of 10

Part of a Series: No

Highlighted Takeaway: 

The plot. Let’s just say, “You will not see some things coming at all!”

What I Liked:

Characterization, especially that of the main protagonist, Anna Klien, was really well done. She wasn’t over the top or too self-pitying. In fact, she was just the right amount of neurotic and self-aware to make it easy to empathize with her, and even associate with her in many places.

What I Didn’t Like:

Similar to Tell Me A Secret, the men were only present when convenient. Even Anna’s husband is more ‘her husband’ than ‘a supporting character’. Given that he actually had a role to play in the book, there should have been a little more focus on him.

Who Should Read It:

Anyone who enjoys a good suspense read, because it is surely that while definitely not being a ‘mess with your mind’ style psychological thriller. Those who like Mary Higgins Clark’s older books would probably like this one.

Who Should Avoid:

Anyone who doesn’t like books that focus on women as central characters. The women in this book aren’t unrealistic in all action and thought in this book, but it’s still predominantly a woman-centric story.

Read It For:

Reminding yourself that the world still has those people who don’t exactly believe in the “live and let live” ideology, and that things aren’t always as they seem.

Thanks for stopping by and reading my book review. Say Hi! in the comments below!

– Rishika

 

Review: Into The Darkness (By Sibel Hodge)

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Source: Goodreads

Length:

My rating: 3.5 out of 5 stars

Eighteen-year-old Toni wants to study criminal psychology to be able to help people, especially children, affected by the evil deeds of which psychopaths are capable. But a week before her university course begins, she discovers something horrifying in the deepest corners of the internet. Before she is able to wrap her head around what she’s seen, she finds herself attacked, abducted, and locked in a dark cell. With no help from the police, Toni’s mother turns to an old friend for help. Ex-SAS operative, Mitchell, has seen the worst that the world and its people have to offer. He knows that evil is not a concept of fairy tales, but a very real threat that can exist in the form of anything and anyone. Uncaring about the law and only concerned with quick justice, Mitchell is a vigilante with a mission – bring Toni home safe, no matter what it costs.

DS Warren Carter has been a detective for so long that the job and the growing lack of justice are beginning to make him grow weary. He is two weeks away from retiring from the force and taking up a different job. Then, he’s called in to investigate the double murder of a simple, seemingly normal couple. Nothing is what it seems in the case. DS Carter is short on staff and has almost no support from his overbearing, bureaucratic boss. Yet, he won’t let the case go, relying on the instincts that have always had his back to try and solve the cold-hearted, heinous crime. But the case isn’t simple, and DS Carter finds himself falling into the depths of a world that is more twisted and evil than he could have ever imagined.

Time is running out for Toni as Mitchell tries desperately to find her in a world of shadows where anonymity is pivotal. And DS Carter is beginning to question everything he’s ever known. The Missing, the Vigilante, and the Detective are caught in a dangerous game, one that offers threats at every turn, and that none of them may win.

The Bottom Line:

An interestingly told thriller that does not shy away from the gory stuff, hits you in the face with the truth that you’d rather never know, and spins an intricate, well-plotted tale that is not made any less enjoyable by its predictability.

My take:

Writing in the first person isn’t always easy. Not too many people like the approach so you have to be exceptionally good at it to ensure that your audience can associate with the character they’re following. Writing from different points of view consistently isn’t easy either. It’s altogether too easy to get their personalities mixed up, and end up with one’s style seeping into the other.

Yet, Sibel Hodge does both these things with brilliant precision in Into the Darkness. 

The story follows a vigilante who believes that justice is best served instantly, a missing girl whose desire to help people takes her into the depths of unspeakable horror, and a detective who’s been worn down by the injustices he’s witnessed in his career but still, desperately, needs to trust in the legal system. All three are gray characters, and Hodge’s style allows you to follow their internal battles and really get into the story. She doesn’t break their characterization at all, which adds to the association that readers develop for the characters.

The story itself is quite interesting. It is based on a topic that has been done previously (in movies and books) – the dark web – but still manages to be fresh in its approach. It’s also painfully graphic, so those who aren’t used to too much gore may have a few cringe-worthy moments while reading. When you look beyond the near-horrific narrations though, you see that it’s less about the activity and more about the people behind it. Into the Darkness focuses a lot on what people, good and bad, are really capable of; on how far someone can go, how malleable their morals can become, if they’re motivated by greed and insane fetishes, or the desire to help people and enable justice.

The book proceeds at a good speed, taking you from one POV to another and back as you turn pages wondering just how (and even if) these three arcs meet. It’s not immensely unpredictable, but there are definitely some shock-factors. The characters within the story have apparently made appearances previously in other works, but the story is complete in itself. All in all, Into the Darkness is a well-paced, intriguing thriller; and while I wouldn’t say that this should be the next book you should read, it definitely should be on the TBR pile of anyone who enjoys the genre or wants to venture into it.

Recommended to:

  • those who enjoy thrillers
  • those who enjoy multi-POV or first-person focused books (both these aspects are done extremely well)
  • those who like crime fiction

A big thanks to NetGalley and Thomas & Mercer for an ARC of this book. It led to me discovering some very interesting characters and a new author to follow. Share your thoughts on how you liked (or are waiting for) Into the Darkness and any other books by Sibel Hodge in the comments section below.

Into the Darkness releases on 3rd June, 2018.

– Rishika

 

 

Review: The Retreat (By Mark Edwards)

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Source: Goodreads

Length: 335 pages

My rating: 4 out of 5 stars

Horror novelist, Lucas, decides to travel back to the town he grew up in, taking up residence in a writer’s retreat as he works on his latest novel. He hopes that the peaceful town and surrounding forests will help him get over his writer’s block and finish the book that his agent and editor are waiting for. But within days of arriving, he discovers the tragic past of the woman who runs the retreat.

Two years ago, Julia’s husband, Michael, died while trying to save their daughter, Lily, from the river that ran near their home. Lily’s soft toy floating in the river had been the only indication that she’d even fallen in. But the police never found her body. Julia believes that her daughter is still alive. Caught in limbo, she’s not able to even mourn the death of her husband. After the tragedy, she turned their home into a writer’s retreat as the only way to save herself from going broke and to keep her mind away from the loss that tore at her every day.

Lucas’ interest in Julia’s story grows every day. Until he finds himself doing everything he can to find out what really happened to Lily that day. But as Lucas continues to search for answers, eerie events begin to unfold at the retreat. Someone, or something, is watching from the shadows. Lucas soon discovers that something is amiss in the events of the day when Michael died. And that a dark secret plagues the town, the retreat, and the forests surrounding the house – a secret that will always remain protected, no matter the cost.

The Bottom Line:

The Retreat has an intriguing storyline and hits all the right notes on suspense, thrill, eerieness, setting, and pace, making for a fast, engaging read.

My take:

What I liked the least about The Retreat was Julia. Although you do feel for her after everything she’s been through, she comes across as a little too annoying, too often. Of course, the woman lost her husband and her daughter and is living in a state of limbo. So you can understand the irritating attitude. But what I couldn’t understand about it was how Lucas seems to be oblivious to her flaws. The dynamic between them, for that reason, didn’t make all that much sense to me. Still, it wasn’t the worst, could be written off as the result of the experiences they’d had in life, and was the only slightly irritating part about the book. And the rest of it more than makes up for this.

The story is quite intricate, with a lot of things happening across decades, leading up to the events of the present. The characters are all well defined and have a good real-ness to them. They are all incredibly human in their arrogance, humility, successes, and failures, and in their good and bad. That is what makes the story so relatable – you can actually imagine everything that happens really taking place in a similar setting. It’s also got great suspense and a great setting. It pulls you in right from Page 1 and keeps you hooked throughout.

The best part about the book, though, was its thrill. The Retreat isn’t one of those books where scary faces look out at you from the dark. The thrill it evokes is more subtle and, consequently, incredibly effective. It’s one of those books where the creepiness is brought on by that feeling that you’re being watched, when the hairs on the back of your neck stand up, but when you turn around there’s no one there. Yet, you know that someone, or something, was there. It’s the kind of thrill that gets under your skin and stays there, making you a little jumpy at sudden sounds and dark areas. That’s why it stays with you longer and really makes you experience everything that’s happening in the book.

I received The Retreat from NetGalley in exchange for an honest review. It’s the second Mark Edwards book I’ve gotten from them and although the first one I’d read – The Lucky Ones – was quite good (you can read the review for that here), this one was definitely better. Edwards, who I’d started following after The Lucky Ones, is definitely one of the better (newer) thriller writers and I would love to read more from him. What really makes his work interesting is the variety he brings. It’s not just serial killer thrillers. Edwards writes different stories that just come to him, and while all are of the thriller genre, each of them has a different take on the category. The Retreat, especially, does more than enough justice to the psychological thriller genre under which it’s pitched, which is quite refreshing because (lately) too many books are sold as psychological thrillers when just ‘thriller’ would be more suitable a tag.

I’d strongly recommend The Retreat to:

  • fans of thrillers and crime fiction novels
  • anyone who wants to try out a new thriller author (I’m sure you’ll enjoy Edwards’ style)
  • those who want a thriller with a twist

A big thanks to NetGalley and Thomas & Mercer for an ARC of The Retreat! The book released on May 10, so grab your copy right away!

Share your thoughts on The Retreat or any other books you’d like to recommend in the comment section below!

– Rishika

Review: The Neighbor (By Joseph Souza)

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Source: Goodreads

Length: 352 pages

My rating: 1.5 out of 5 stars

Leah and her husband, Clay, move from Seattle to Maine along with their eleven-year-old twins so that Clay can fulfill his dream of opening his own brewery. Leah envisions a life where she’s part of a thriving community in a plush neighborhood, surrounded by a loving family, and good friends with whom she can bond and share things large and small. Instead, she gets a husband who’s too busy to ever be around, twin kids who have no friends, and an empty neighborhood which is the result of a housing project abandoned midway. Now, all her hopes of building strong friendship bonds rest on the only other couple in the neighborhood. But Clarissa and Russell Gaines are aloof and uninviting. Leah’s interest in Clarissa begins as a potential friend. But the more the couple stay distant, the more Leah’s interest grows. Until it becomes an obsession that affects every part of her life. Before she can control it, she’s sneaking into her neighbor’s home, taking small objects, and allowing her envy of their elegant lifestyle to grow. Then she finds Clarissa’s diary. As she begins to read through the private pages, she discovers that Clarissa’s life isn’t as comfortable as it seems. Secrets run deep between the couple, secrets that have a direct effect on the mysterious kidnapping of a local college girl. Equally obsessed with the disappearance of the student, Leah finds herself investigating the crime even as she hopes that a solution would help bring Clarissa closer to her. But Leah has her own secrets that she doesn’t want exposed. As she begins to lose herself in her obsession, secrets, reputations, relationships, and even lives begin to come under threat. Yet, Leah pursues, unaware of the fact that things are even stranger than they seem. And that discovering the truth may not give her what she wants. In fact, it may shatter lives forever.

The Bottom Line:

The Neighbor is made slightly interesting with a lot of layers, but they fail to hide the fact that the book is nothing more than the unpleasant story of two whiny, selfish, clueless adults who you just cannot like.

My review:

Thanks to NetGalley and Kensington Books for a free copy of this book in exchange for an honest review.

Psychological thriller. As riveting as Gone Girl. Twisted. Page-turner.

These are some of the terms you’d find associated with The Neighbor. I completely agree with the last one, but definitely not the others. In fact, my allegiance lies with those reviews and reviewers who chose to express themselves (while speaking about The Neighbor) with terms like illogical plot, shallow and unlikable characters, and unbelievable actions.

The Neighbor has a lot going on. There’s a missing girl. There’s a lonely housewife who wants some friends with whom she can connect. There’s a murder. There are secrets. There are a whole lot of references to racism and discussion on the topic. There are marital concerns. There’s alcoholism. And there is some BDSM-esque kinkiness tossed in too.

The problem is that all these aspects are just annoying.

To better explain, I need to mention that the book is written from the perspectives of Leah and Clay. And it starts with Leah, who is so dang annoying, saying that she gets “giddy with excitement” when she steps out of the house to good weather. It was actually difficult to continue reading after that start. But a twist thrown at you a couple of pages later gives you hope and keeps you going.

There are innumerable twists in The Neighbor. And that’s the reason you want to know what happens next, the reason you turn page after page. There is a lot of stuff going on, most of which can add interesting elements. But what you can never get away from is the fact that, at its very essence, the story is about two incredibly selfish, annoying, and oddly stupid people – Leah and Clay.

These are two individuals who live life in their own bubble of misunderstanding (regarding each other). They are both alcoholics in denial who are quick to (hypocritically) blame each other. There are a few moments where they seem to show an inkling of self-awareness. Until it’s drowned in their go-to habit of making excuses. All in all, they are incredibly unlikable as human beings, spouses, and parents.

As a result, you don’t really care that anything is happening to them or that they’re facing a problem. You’re more interested in discovering which of the events is a lie, which isn’t, and what’s really going along. The only people you feel for in the book are Leah and Clay’s kids and their dog, and that’s mainly because they are stuck with terrible people for no fault of their own.

Leah and Clay’s relationship and the way the book is told from their perspectives is what makes people draw the similarity to Gone Girl, I think. To be honest, similarities do exist. But the intentional, selfish twistedness of the characters in Gone Girl also made them associable. You could actually envision people like that – those who would do what it took to get what they wanted. It’s what made the book uncomfortably good (check out my review of Gone Girl here for more deets on that!). In The Neighbor, the characters are selfish but too clueless. I mean, seriously – Leah’s only goal in life is, “I want to be Clarissa’s friend.” These are selfish people who are too lost to actually do anything about what they want, except for crib when things do change. And that just makes them annoying, especially in their abrupt bipolarity (seriously, they keep contradicting themselves in consecutive sentences until their motivation, meaning, and drive is completely lost on the reader).

Putting the Gone Girl comparison aside, The Neighbor is just not a likable book. It’s got some suspense and enough storytelling power to keep you turning the pages. But the many social problems it addresses seem to just be layers on an otherwise dry story of two not-nice people.

So should you read The Neighbor? I’d say give it a pass. There are other psychological thrillers out there that have real depth in their stories, that go deep into the chaos that is the human mind and what it can make one do. Try one of them instead. If you still want to give The Neighbor a shot – it releases on 24th April 2018.

Want to share your thoughts on The Neighbor? Drop a comment below!

– Rishika

Review: Never Rest (By Jon Richter)

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Source: Goodreads

Length: 242 pages

My rating: 4 out of 5 stars

Salvation Island has a disturbing history, one that has left a shroud of darkness over the island. Ex-police inspector, Chris Sigurdsson, had experienced this darkness first-hand when he’d spent one week on the island investigating a case. The week had left him with terrifying experiences that still haunted his memories. Now, five years later, he has left his police life behind to become a successful private detective with a good reputation.

Then Erina Brennan calls him. She tells him she wants his help in finding her estranged husband, David Lithgow. A writer suffering from bipolar disorder, Lithgow had gone to Salvation Island in search of inspiration. Erina had lost all contact with him days ago. Chris decides to explore the case a little more before taking it up, unable to resist the macabre pull of the mysterious island; and unable to deny his growing desire to meet Carin Mason, the police officer he’d worked with on the island case five years ago, the woman who he’d wanted to call after, but hadn’t.

When Chris reaches the island, he finds much more than he’d bargained for. Lithgow had hurled himself into the depths of the island’s terrifying past. Chris tries to make sense of what Lithgow had been doing before he’d disappeared in the hope that it would help him find the man. But he finds only growing chaos instead. Before he realizes, he gets pulled into a world of insanity where reality and fantasy, past and present begin to merge. And as Chris soon discovers, his mind is not the only thing he risks losing. Salvation Island has more secrets than anyone could have imagined. And someone is hell-bent on keeping them protected, even if it means killing anyone who discovers the truth.

The Bottom Line:

Terrifying at times while being a page-turner throughout, this book does extremely well until the very end where, in some ways, it falls short of excellent.

My review:

Thanks to NetGalley and Bloodhound Books for an ARC of this book.

Never Rest is not for the faint of heart. It is chaotic, insane, and disturbing. Incredibly graphical, it does not just tell you about the madness inside someone’s mind, but takes you right into its depth. It starts and ends by making your skin crawl. And it keeps the pace up in between, too. Chaotic in a good way, it keeps pulling you into labyrinths of thoughts and ideas that mingle with reality, until the line begins to blur.

The characters are easy to associate with, while not being too two-dimensional. They’ve got some complexities, but are not highly complicated individuals, making them very relatable. There are aspects of the story (and to some of the characters) that, in retrospect, seem highly improbable. But this isn’t something you would notice in the flow of the story and, in fact, the oddity adds to the thrill of the tale.

The only part that left me wanting is the end. The story is well written and comfortably fleshed-out. But the end seems a bit hurried, leaving a few things unanswered and some things to the reader’s choice. While the latter isn’t a problem, a few pages extra may have made the former less of a problem.

There are three stories over three timelines referenced in the book. A disturbing past, Chris’ first case, and the current case. While the first and third are well explained, the second seems to only appear in brief mentions. As it turns out, this is because the second story is the main plot of Book 1 in the Chris Sigurdsson series (Deadly Burial). (Now I wish I’d read that first.) The end of Never Rest leaves you slightly dissatisfied because it leaves you with a lot of questions. The next book in the series will probably answer some of them (I hope).

The main thing I realized about the book is that it reminded me a lot of the work of Simon Beckett – specifically, Written in Bone (you can read my review of that great book here). It’s got this spooky, chaotic, disturbing feel that is hugely compelling and intriguing.

I’m going to read Richter’s first book, Deadly Burial, very soon. I don’t know if my experience with Never Rest would have been different had I read the first book before. What I do know is that you can read Never Rest as a standalone or start here at least, and other than a few things seeming random, you won’t really be lost.

Highly recommended to:

  • fans of Simon Beckett
  • fans of Tim Weaver
  • crime fiction and thriller fans
  • fans of psychological thrillers (this actually does check the boxes for both psychology and thriller)

Never Rest released on 30 March 2018, and is available in both paperback and Kindle editions. Let us know what you thought of Never Rest or Deadly Burial (or just say Hi!) in the comments below.

– Rishika

 

 

Review: If I Die Before I Wake (By Emily Koch)

 

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Source: Goodreads

 

Length: 320 pages

My rating: 3 out of 5 stars

Alex Jackson has been in a coma for two years. At least, that’s what everybody believes. What they don’t know is that Alex can hear and feel everything around him, even if he remains incapable of responding. He can hear his father and sister discuss letting him go, he can hear his friends talk about how his girlfriend – Bae – needs to move on, and he can hear the discussions that reveal a shocking truth.

He hadn’t ended up in the hospital because of a climbing accident as everyone had thought. Someone had tried to kill him. Now, lying in bed and incapable of doing anything but listen, Alex needs to figure out who hated him enough to try and murder him. He only has clues from his past to mull over, clues that tell him that whoever his attacker was, he’s not done with Alex yet, nor with the people he loves. Now, Alex struggles every moment to wake up, desperate to discover the whole truth, and desperate to protect his family and friends, before they decide to let him go.

The bottom line:

An interesting storyline with implementation that holds its own for the most part, but that does leave some things lacking.

My review:

Thanks to NetGalley and Random House UK for an ARC of this book!

If I Die Before I Wake is the debut novel of Emily Koch, and it’s pretty good for a debut. It has a very interesting storyline told from a (sort-of) unique perspective. What’s really remarkable about it, though, is that it isn’t easy to create a 320-pages long book when you’re writing the entire thing from the perspective of someone in a vegetative state who can do nothing but listen, think, and occasionally feel. And yet, Koch manages to spin a page-turning tale that doesn’t get boring at any point.

The story itself is quite good. It addresses a gamut of very real, raw human emotions and thoughts, and makes it quite easy to associate with the characters. The suspense, twists, and turns are also well done, definitely managing to evoke a good amount of surprise. Alex’s feelings, struggle, and emotions come across especially well. As one of those “if you woke up in a coffin” type of situations, it is quite disturbing. But I did think that it could have been executed even better because, to be honest, his outlook and emotions seemed a little too calm to me. The feeling of being trapped in your body, unable to move while your mind is screaming at you to do something (to the point where you hallucinate that you’re actually doing it only to find out you hallucinated that too) is much more terrifying than the story depicted. And it probably would have had much more reading value if it had gone that extra bit on what Alex really felt.

What brought the rating of the book down for me (I was leaning towards 3.5 stars or 4 stars earlier), was the first half and the end. The first half tends to jump a lot between different events of the past. While a little ambiguity in the order was the aim (I think), it just got a little too messy to be easily followed. The second half really picks up though and was good enough to compensate for the first. Until the few pages at the end.

A story of this type is meant to be a little abstract in its delivery, I suppose. That’s part of its beauty, and can really make for a great read that evokes crazy amounts of varied emotions. But that kind of chaotic order is also very difficult to achieve. That’s where If I Die Before I Wake was lacking. It was abstract and even hit the right emotional chords. But it did so with very little conviction. As a result, the book (that was probably meant to leave you in thinking about it for a long time) ended without much impact.

All in all, If I Die Before I Wake is definitely worth a read. I won’t say that the author will make my watch-list. But she definitely has a style and genre choice that I would opt for and enjoy (once the chaos has a little more order). In the meanwhile, I’d recommend readers to give Emily Koch’s debut novel a shot, especially if you:

  • enjoy slightly obscure literature
  • like fiction and want to experiment with new styles
  • are interested in crime fiction

If I Die Before I Wake releases on 11th January 2018. Have a read and tell us what you liked/disliked about the book in the comments below!

– Rishika