Length: 416 pages
My rating: 2.5 out of 5 stars
Emma was only twenty-four when her six-year-old son wandered away from school during a flood and was never seen again. She watched as they pulled his red coat out of River Ouse. They never found his body, but everyone knew what had happened – young Aiden had drowned. The tragedy tore her and Aiden’s father apart even before they could truly come together. When her parents died a few years later, Emma felt truly and completely alone.
But ten years after the flood that took her son from her, Emma has moved on as much as humanly possible. She found happiness again with her new husband and is weeks away from having a daughter. Life finally seems to have turned in her favor. And then Aiden returns.
Aiden is too traumatized to speak. But the signs of years of abuse and neglect evident on his small, frail body reveal the truth – Aiden hadn’t drowned, he had been kidnapped, and caged and tortured for ten years. And someone in their small town is responsible for the heinous act. Emma attempts to reconnect with her now-teenaged son but finds that she may not know him at all. Aiden has the answers she wants, but he can’t speak. And as Emma desperately searches for the answers that can help Aiden get justice, the world she’d carefully build begins to crumble all around her. And this time, she may not be able to survive the fallout.
The Bottom Line:
A book that has an interesting premise and well-developed characters, but that falls short due to its predictability and small, but many, inconsistencies.
The best part about Silent Child is the character of Emma. She is shown, through actions over the course of the story rather than in just a few narrative paragraphs, to be a very human, very raw person who deals with life because, like in reality, you don’t have any choice but to do so.
You clearly see her growth where she goes from a young, teenaged Mom, to a broken woman, to someone who finds it within herself to do that which is necessary for her survival, and the protection for her family. At the same time, you see the immense stress this causes her as she occasionally breaks down, makes very human mistakes, but moves on to try and do the right thing. In other words, her character is very realistic in its strengths and flaws, and the development of this personality over the course of the book is really well done.
Which is why the few random mentions of pro-feminism and anti-sexism seem so out of place. I have nothing against either of those concepts. But Emma’s story isn’t about that; it is about a parent’s fight for the protection and justice of their child. It doesn’t matter that she’s a woman, she is just a strong person. And Denzil does a great job of depicting this until those obscure moments, which honestly seem like jumping on the slimmest opportunities to toss in a social angle. From a reader’s perspective, it just seemed like unnecessary fluff to an otherwise good character arc.
The premise of the book is very interesting. Unfortunately, the story is just as predictable (at nearly every point of apparent suspense/revelation). The pace of the book is good, but it does seem like an equally effective story could have been told with a few pages reduced. There are sections that seem to go on for no reason.
The storytelling style isn’t as established as many others I’ve read, but by no means does Denzil come across as a novice. In fact, some parts are really well written, while the majority is well above average. The characterization has a similar feel where Emma’s personality is really well-developed, but the others just… hang about… until useful.
The most irksome part, though, is the loose ends. A lot of points brought up during the book seem to go nowhere and are never explained. A large part of this is related to Aiden and his story itself. The book ties up well on the major plot points but could have delved deeper into some smaller aspects (that’s where those extra pages should have been used).
Thrillers place a lot of importance on unpredictability and suspense development. Unfortunately, Silent Child falls incredibly short on both. Yes, you turn the pages out of curiosity, but you’re not compelled to do so. And the twists and climax are altogether too predictable. So, I would recommend that you go for this book only if you’re really out of options for thrillers and crime fiction. There are some great ones out there that’ll probably make for a better read.
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